
Warrior and Swordswoman Red Sonja has a long history in the world of pop culture. A character was created mostly by Roy Thomas in 1973 and somewhat inspired by Robert E-Huard Reed Sonia from Rogerino from 1934. Thomas-man who brought the classic pulp figure Conan The Berberian to a major American caricature in the urgent chain in 1977.
Those who are not a comic fans Red Songa from the Great 1985 movie starring Brigitte Nielsen. It was cross from the popular Arnold Schwarznegger Conan Films, but it ended with decisive and commercial failure. However, the restart of business was in 2008 and again in 2015, but both attempts collapsed early in their concepts. By 2021, a text was finally written, and after one year MJ Bassett was in a direction line.

It is now seeking its official release, “Red Sonja” to restore the famous pulp and the spirit of the eighties. In many ways, it is a fiction of a work of action that is in line with the films of that early contract (especially blood). At the same time, it has no real connection to the 1985 movie and is mysteriously in line with the most modern comedy. Instead, Basset Sonia Red takes in a handful of new trends while most often remains the essence of her personality.
Matilda Lutz is completely inspiring as a called a called a called. The Red Sonica is a warrior who is able to have its own weaknesses, many of which are tracked to her childhood. A series of memories of the past reveals that it separated from its people as a child after the Berraja violently looted its village. Now, only with the highly loyal horse, Sonja roams the vast Dyrkania Forest in search of its missing people, the Arkani.
After pouring some revenge he deserves on some shameful fishermen, the captive sonja is taken by Big Baddie in the movie, Draygan (Robert Sheehan). He and his footnotes comb the forest of monsters to put it in a square. Sonja is immediately dumped in the wrestlers whose only purpose is “”He dies exceptionally“It is impossible to deny the similarities with Ridley Scott” wrestler. “Songa is told that she can win her freedom if she won the arena. She can only win in the square if she wins the crowd (she looks familiar?).
As for Draygan, it is in many ways a mixture of many fictional evil models. But Bassett and screenwriter Tasha Ho add some layers from the background that gives him a touch of his identity. DRYGAN is a self -referral emperor looking for the second half of Tommy, who is believed to be proven to be a legendary prophecy. It is an example of the crazy angle, using its raw mechanical inventions and the loyal army to crush anyone on its way. It is also a coward, hiding behind those same forces he carries.

To surprise anyone, the story moves towards an inevitable confrontation between Sonia and Dreygan. As we enter a violent world full of ancient gods, legendary creatures, and natural beauty. At the same time, you cannot miss the camp moments and some scenes where the film budget restrictions are very clear. Bassette is still doing a lot with what I gave, reveals an overwhelming story accredited by the beautiful landscape, brutal violence, and an exciting champion in its center.
For many (homosexuals), “Red Sonja” is an entertaining contact response to almost forgotten time in the sword and magic cinema. It is a film that embraces wonder (sometimes tampering) for the films of the eighties of the last century. However, it is full of humor lines that prevent her from taking herself seriously. Although it contains most of the main components of Sonya, including the fierce warrior and red hair of the fire, and even the distinctive mail bikini, it realizes enough mockery of exploiting the old school from its past. When everyone thinks, “Red Sonja” is the adaptation it deserves to be worthy of the attention that the character has long deserved.
