“Against” does not stop being bad, regardless of the number of other parts we go to: this is the hell of a confusing movie, and not generally in ways you are especially excited about confusion. Although we must give the movie this credit a lot: it is not lazy. Until she calls it “blatant Friday 13th Ripoff “I don’t see how you can describe it in any other way after I saw how precisely It is at risk Return the stages of the final girl’s sequence of the 1980 movie for her private climax, meaning a very I prepared a different film from director Karen Yang Cia Yun and writers Chu Yun and Wang Jing Tae. In favor of the first 40 minutes, I do not know that scenes are not fully prepared It is at risk Any type of film was at all, not to mention that he was on direct communication with a specific American model of the model.
Instead, the film appears at first is the flavor of the romantic character drama, which was lightly sprayed with some elements of excitement and mystery, but in no way mired in them. Allow me at this stage to stop a moment to explain what I am talking about here exactly. It is at risk It is a mysterious movie and it is difficult to search, even given that it is the 1982 Taiwanese movie it can be watched, as much as I can say, just in a Amazingly Bad VHS Rip. This is because in most of his life, the film was presented to the world, incomprehensible, as the Bootleg version of a completely different movie in a different type, made in a different country: the movement/crime movie 1978 The outbreak of persecution (Nicknamed Killing), Hong Kong production is the most prominent of being for the first time in producing the star of the Jordon Liu. Without an explicit reason because I was able to track it, I distribute It is at risk in English. The outbreak of persecutionAnd in fairness, it is not a title that is completely not existing in view of its content, apparently in the hope that people looking for DUBS in English will barely for Sinosphere movies in the 1990s by mistakenly buying them. Very mysterious In order to purchase the excitement Very mysterious Gordon Liu vehicle. And in the manufacturing process The outbreak of persecutionThey re -formulated them accurately It is at risk I was given to understand that it is a fairly different movie. This is not something I had to verify, but that means that when I say I saw It is at riskI am talking about a movie in the Mandarin called the protagonist Zhu Tian Che, not a English -language movie called Fonda Cio. Of any other changes you may hide in there (up to at least five minutes at the time of restarting the re -editing).
With any name, she played the role of Le Hashiao-Vo, who herself herself to keep this strange and volatile boat standing on his feet. The Chu & Wang text works very hard to cancel the plot, and bury a large amount of important explanatory materials in the memories of the past that is usually distinguished, but routinely no Any way has been made to make ourselves put in a more realistic way than “not present”. There is definitely some intention here, which is an attempt to imitate the scattered mental processes of Tian Chi and the way she continues from her bad feelings about what happened at that time, but often it seems that the scenario is simply feared that we have any idea about what is going on in hell, and we will cultivate it in the severe dumb hunter, and we will have a very easy time to have any idea of that. any From this “model, actual identity It is so easy to discover it after a certain point that I cannot persuade myself that the book was trying to even keep a mystery). Yang is directed at the strengths, and she is doing a good job in dealing with the advice of the text program by excessive moments that facilitate suspense sequences, so it does not exceed a step or step from being exciting, all that happens in her types of species; But its management of a tone does not extend to the help of the actors at all, and this results in some very IFY shows (one so that I do not think it threatens the safety of the movie, but we will reach there). So, it is left mainly for its own devices to find out who is Tian Chi and how the character moves to the double complications to re -enter the world in general after an unfair period in prison, and the specific complexity of the entry this A certain angle of the world, which appears to be glorifying to make it confused and miserable as possible. There is not yet so far the actor can take this patch from the role, but if he takes it this way, and as much It is at risk In fact, she succeeds in the existence of her confused stories as an extension of the mental ignorance of Tien-Ci, Lu is more responsible for providing this mixture more than anyone else participating.
As for the situation that caused such a word from Tien-Ci: its last release from the prison was accompanied by a letter to a certain president, Wang, who runs a newspaper, and wrote to ensure a job there. It never explained this What Ayoub, and this information is still more than he left for anyone in the newspaper itself before it disappeared not long ago: when Tian Chi appears to demand its mysterious new position, you do not get a copy of this work from the work offer. He is clearly disturbed to do this, but hedging from his bets is that when the president returns from anywhere he had set out, he will remain not to follow his written directions, Hsiao-Tung rents Tien-CI on silent or explicit objections to every other woman in the office.
None of them actually ends up with the story of the film, although it definitely spends a lot of time to roam the newspaper offices and a kind of accommodation there because Tien-Ci looks tense and marginalized at work, especially a young man (Zhang Fu Mi), who is considered an inverted hostility of the apparent sexual unseen; The HSIO-Tung’s hot SSIH-Yun has the hot hyh-yun, and although it does not immediately follow the new rental, Tien-Ci is very beautiful and they have a very strong chemistry from the beginning. This Do Make us in the direction of the film’s conspiracy, indirectly, because Shi Yun’s delirium hate of Tian Chi makes it very difficult to reach any reasonable suspects when things begin to become strange in Tian Chi’s life. Which makes us closer to the conspiracy of everything: “Tien-Chi Environs Windness” is a story only in the latest and most weaker way, but this is what It is at risk He has a desire for anything more powerful. Basically, although all its deception towards excitement and romantic boda, the movie is myself: Tian Chi went to prison as a very sensitive young young woman, and it is clear that she did not do it well at all, and now jumping in every shade possible. The film opens with a strong scene in this context, as it starts from a boat to find a group of children who torture the sea turtle, which causes memories of the past to an unclear (intentionally) violence. A little chaotic editing and narration of stories based on eccentric sound – we hear children but mostly without seeing them – they all do a very good job in persuading us immediately with the sensitivity of the personality and the madness strangeAnd this scares it for no reason. This is a beautiful inner way to play a movie, and we can get Yang’s guidance so far: The more Easter that focuses on horror is more explicitly, it is well organized to emphasize the strangeness in the closest and leave in the street from the street that it enjoys in the street from the street, where it was placed in the street from the street. Fair is designed with Broken Glass, and the film was actually able to reach this goal of confusion in Jangled-Rev.
For most films, especially, especially in the amazing and unwanted opening, Yang is often tries to generate suspense from thin air. Sometimes, this is caused by something cloudy enough to be enjoyable, as is when Tien-Ci is convinced that a child on a bike chases it. Often, it seems that the film randomly tries to press the buttons: one of the large tricks is the use of a loud, shiny tabs of electrical guitars to indicate that something terrifying has occurred even when there is no visual or other narrative that supports this possibility. Several times, the film is heading and cut into a monkey, apparently in an optimistic hope that the monkeys are so strange that it is worrying that we see it when you don’t expect it. Once, it relaxes the shower scene from mental patient With the wonderful lack of shame (this was before I knew that he would be shot in order to restore the climax Friday 13th) Only to convert the normal bathing sequence as no one is at risk of physically hurting into something relatively tense. Not all it feels despair, like us watching a 90 -minute movie with 50 minutes of the plot, and instead of extending those forty minutes, the directors of the directors only spent the opening 40 minutes until they finally started facing the plot points.
that it distinctHowever. I will lied terribly if you say that It is at risk Sitting was very easy or satisfactory, but it had the difficult building, because it simply spends a lot of time to roam without a goal so that there is no way to reach in front of it. If there is anything, he loses some of his hidden energy as soon as he explains to explain the reason, exactly, that Shi Yun has mentally tortured Tian Chi (I am sorry, I cannot bring myself to thinking that the “spoiler”), and what is the relationship of this with regard to the past of the dark Tian Chi and the ambiguity of the lost president. Yang’s attempt to control a tone completely fails when it is time to reach a “type of excitement” to “explicitly and continuously horror”, and it fails it again during a surprisingly clumsy return to the romantic drama in the last scene. The speed goes in one way or another when there are actual scenes with a dyspiece and danger to the chain together, compared to the time when the rooms are shackled on the edge of the abyss, and it seems that the time has no meaning.
However, there is something that is difficult to ignore. It tries to re -invent the inclined narration and the style of the haven from the first principles, in fact, and seeing something that ends unambiguously in “this is the oblique region with the capitalist who takes a completely new way to get there to not be denied. It is a little strange, moody and mood without knowing completely the reason or even, I think, to be aware that it is happening, but it was able to make a movie in which nothing happens in it in particular Often it avoids boring. In full – I have struggled during the first third, I cannot lie – but the strange film is easily compensated for the dead spot, even if it is not in any case “working” necessarily in any way I want my films, regardless of this type.
The number of body: 4, in addition to the platelet chapter in particular. It is difficult to reach this number while one watches too much, given the number of different times in which we see a part or each of the concerned murders.
